UNder armour

Under Armour departs from dance as a crossroad. Inspired by the fearless dance of the Portia spider, ready to be devoured by its beloved, spectating other, the work embarks on a chaotic journey attempting to synthesise different perspectives and extensions of why we ( may still) dance, including interspecies performance, visions of bodies marked by dystopia, military drill, dancing overlapping with the art of healing and a hunger for being eaten alive where the urgency to dance insists on serving as a survival mechanism in the face of societal collapse.

Creating a half eroding, half emergent force field where information clash, collapse and attempt to make sense, Under Armour is an emotional and inquisitive performance that juggles in between movement, voice, lecturing and overthinking, all the while hunting for a bodily state that could perhaps embrace it all.

"Maybe we knew we would never come out of this “healthy”, or healed. Maybe we used it like some sort of cure, an intersection of openings and bendings, re arrangements of a world beyond sick and healthy. This thing I do, the thing I call dance, can somehow do the reprogramming. At least sometimes. Not a gesture to “bring the change” but a much more subtle and meta-substantial gesture needed for me, to make sense of that what I otherwise cannot bare to look at, bare to sit with, bare to stand upright facing, carry with me along, mute and merciless, against the ticking time framing my live. Back to the Orang Utan that can heal itself.. Researchers also say we have been given our emotions from our animal ancestors. Our emotions were there before we existed, and we are a consequence of them. How do you make sense of that you are coming from feeling?-This next scene is called European failure “

( video stills, end of year presentation, Sandberg Institute 2024)

CREDITS

PERFORMANCE + DEVELOPMENT Toni Steffens

COSTUME + TEXT Toni Steffens

SOUND SOURCES zzomkaraoke.uk, How they got game projecy, Stanford University/theinternetarchive, Marc Ayres-Freude, Joe Cooker- with a little help from my friend, DJ Call me- Say goodbye

DOCUMENTATION Olivia D'Cruz, Paulina Prokop

Sandberg Institute, Framer Framed 4Bid Gallery, Spring Wounds/Kunstkapel Amsterdam

Robo dog- who are you? A creature, a robot and also a dog. You are a manmade killer, carrying a riffle on your back, ready to kill whoever your master orders you to kill. It hasn’t been long since I came to like robots or dogs. Most of them made me feel indifferent and at worst scared. Now I like dogs, I even consider to get a puppy. When I am trying to find a way to you, Robo dog, there are certain mind perversions, I cannot fully wrap my head around. For instance to see a YouTube video about a robot/ AI engineer who recounts the moment of silence and shock when the “quadruped” was aired on some robotics fair. How the present collective of robot designers and engineers found itself confronted with what remained beyond the limits of their imagination. Do not get me wrong, Robo dog, I do not think you were really that hard to be fathomed into existence. You make perfect sense inside a history of subordination of non human beings and machines, a history of domestication and drill. While it seems perhaps ridiculous, that people who’s primary work is to design instruments to control, interfere with, such as eventually hunt down and annihilate other people have some sort of imaginary, moral boundaries, what was even more haunting for me, was the fact that this calm and collected engineer, remembering the incidence, merely a side occurrence in his perhaps otherwise unbothered existence, started to smile, shyly and almost humbled, a kind of awkward reminiscence  of what perhaps once was a feeling of shame. I believe, if you made yourself such a man, shame has systematically been driven out of your realm of experiences. You, the superior, the forth bringer of technological advance, ultimately will bringing the rest of us to light, you do not have to think about the necessary sacrifices of those lives, you lay waste to. Yet, to sit amongst likeminded colleagues and air the imitation of a dog that can carry all kind of technological extensions such as cameras, rifles, sensors and detectors, must somehow made him self aware of something startling, this seemingly gentle man. What did you do, Robo dog? Was it the usage of a part of who you are, a creature often called the best friend of mankind, the most loyal amongst all animal companions and to create a version of it, that, even a dog of flesh and blood is afraid of, as one can see in some tik tok videos. Was it to use those characteristics to join the madness of mankind towards its bizarre and unique desire for violence, its in-saturable wish to see the world and its multi species inhabitants destroyed. And to do so in order to feel perhaps less alone in its perversion, for normalising its thirst for annihilation, since you, Robo dog, both remember, confirm and bring forward this legacy of human domination, that, eventually somewhere deep down, brings a sense of twisted familiarity, friendship and companionship to the battle field. Or is it maybe, how the shape and the very being of our animal companions can remind us of things, even you Robo dog can’t deny, as you effortlessly jumps through the conflict zones? That we cannot shape shift that aspect of your being. That the more we shape shift the violence we breed, the more you will jump and not bark, but shoot at us.

UNder armour

♲ Line,losing line ♲

Weaving Passages for the momentous

An Attendee

Orange Rest/Sacrifice

Spinner

Hope, Test

Metamotion for 270degrees

Night Flying Project

Movement

delineations

Unfamiliarities

PAST-Present-future

JUNE 11-14 : PLANETARY POETICS / SANDBERG GRADUATION SHOW AT FRAMER FRAMED AMSTERDAM, HEART BREAK RADIO, 12TH OF JUNE, 5PM, 13TH OF JUNE 1;30PM, PERFORMANCE UNDER ARMOUR, 13TH OF JUNE 6PM, 14 OF JUNE 4PM
SEPTEMBER 14: In collaboration with TONI BRELL at Kunstfort bij Vijfhuizen, Performance at 4:15pm, Finissage Toen de dieren nog spraken
SEPTEMBER 20: BROKEN HEART DANCES, WORKSHOP DURING RE-NATURE FESTIVAL/ GRIEF SPACES, 2PM, FULL INFO: https://re-nature.org/
September + October 2025 : teaching movement research at the university for applied sciences, Osnabrück, BA theatre pedagogy
NOVEMBER 2025 : TEACHING MOVEMENT RESEARCH AT SNDO AMSTERDAM, BA CHOREOGRAPHY
DECEMBER 2025 : CREATION TOGETHER THE WITH 2ND AND 3RD YEAR STUDENTS OF SNDO, AMSTERDAM IN COLLABORATION WITH CHOREOGRAPHER ELISA ZUPPINI

Orange