Night Flying Project

How can an image ever be understood if it is what calls us to imagine? 

(George Didi Huberman ‘Confronting images’)


The project is to project.

In a 3D canvas images perform for (not only) a human gaze that imagines itself as an audience. The materiality of these images shapes, looks out, elaborates and confuses itself until something unfolds in front of our all eyes.

 ‘Night Flying Project’ can be understood as a staged research where moving bodies try to understand themselves as images, that are both object and subject of a constant observation. Dealing with the condition of being already discovered, they become never trusting, always desiring, longing bodies, the ones that are producing, waiting, waiting and still producing at the same time, as much as they are already produced under the external gaze. Can these images see beyond what we assume to see in them and can they give us a glimpse of what this might be?

We demand the audience to participate: participatory watching, observing, seeing as an activity, a meeting with an individual but also with a material.

Credits

Choreography: Toni Steffens

Performance:  Ana van Tendeloo, Timon de Ridder, Pilvi Kuronen

Advice: Michele Rizzo, Ivan Mijacevic

Music: New Order, Depeche Mode, Real life, A-ha

Set desing: Toni Steffens

Light advice: Wout Panis, Martin Kiffarnik

Thanks to: Lisa Skwirblies, Bruno Listopad, SNDO3, Haraldur Prastarson, Igor Dobricic

Photo credit: Nellie de Boer

( Pilvi Kuronen, Ana van Tendeloo)

(Timon de Ridder)

( Timon de Ridder,Ana van Tendeloo, Pilvi Kuronen)

Robo dog- who are you? A creature, a robot and also a dog. You are a manmade killer, carrying a riffle on your back, ready to kill whoever your master orders you to kill. It hasn’t been long since I came to like robots or dogs. Most of them made me feel indifferent and at worst scared. Now I like dogs, I even consider to get a puppy. When I am trying to find a way to you, Robo dog, there are certain mind perversions, I cannot fully wrap my head around. For instance to see a YouTube video about a robot/ AI engineer who recounts the moment of silence and shock when the “quadruped” was aired on some robotics fair. How the present collective of robot designers and engineers found itself confronted with what remained beyond the limits of their imagination. Do not get me wrong, Robo dog, I do not think you were really that hard to be fathomed into existence. You make perfect sense inside a history of subordination of non human beings and machines, a history of domestication and drill. While it seems perhaps ridiculous, that people who’s primary work is to design instruments to control, interfere with, such as eventually hunt down and annihilate other people have some sort of imaginary, moral boundaries, what was even more haunting for me, was the fact that this calm and collected engineer, remembering the incidence, merely a side occurrence in his perhaps otherwise unbothered existence, started to smile, shyly and almost humbled, a kind of awkward reminiscence  of what perhaps once was a feeling of shame. I believe, if you made yourself such a man, shame has systematically been driven out of your realm of experiences. You, the superior, the forth bringer of technological advance, ultimately will bringing the rest of us to light, you do not have to think about the necessary sacrifices of those lives, you lay waste to. Yet, to sit amongst likeminded colleagues and air the imitation of a dog that can carry all kind of technological extensions such as cameras, rifles, sensors and detectors, must somehow made him self aware of something startling, this seemingly gentle man. What did you do, Robo dog? Was it the usage of a part of who you are, a creature often called the best friend of mankind, the most loyal amongst all animal companions and to create a version of it, that, even a dog of flesh and blood is afraid of, as one can see in some tik tok videos. Was it to use those characteristics to join the madness of mankind towards its bizarre and unique desire for violence, its in-saturable wish to see the world and its multi species inhabitants destroyed. And to do so in order to feel perhaps less alone in its perversion, for normalising its thirst for annihilation, since you, Robo dog, both remember, confirm and bring forward this legacy of human domination, that, eventually somewhere deep down, brings a sense of twisted familiarity, friendship and companionship to the battle field. Or is it maybe, how the shape and the very being of our animal companions can remind us of things, even you Robo dog can’t deny, as you effortlessly jumps through the conflict zones? That we cannot shape shift that aspect of your being. That the more we shape shift the violence we breed, the more you will jump and not bark, but shoot at us.

UNder armour

♲ Line,losing line ♲

Weaving Passages for the momentous

An Attendee

Orange Rest/Sacrifice

Spinner

Hope, Test

Metamotion for 270degrees

Night Flying Project

Movement

delineations

Unfamiliarities

PAST-Present-future

JUNE 11-14 : PLANETARY POETICS / SANDBERG GRADUATION SHOW AT FRAMER FRAMED AMSTERDAM, HEART BREAK RADIO, 12TH OF JUNE, 5PM, 13TH OF JUNE 1;30PM, PERFORMANCE UNDER ARMOUR, 13TH OF JUNE 6PM, 14 OF JUNE 4PM
SEPTEMBER 14: In collaboration with TONI BRELL at Kunstfort bij Vijfhuizen, Performance at 4:15pm, Finissage Toen de dieren nog spraken
SEPTEMBER 20: BROKEN HEART DANCES, WORKSHOP DURING RE-NATURE FESTIVAL/ GRIEF SPACES, 2PM, FULL INFO: https://re-nature.org/
September + October 2025 : teaching movement research at the university for applied sciences, Osnabrück, BA theatre pedagogy
NOVEMBER 2025 : TEACHING MOVEMENT RESEARCH AT SNDO AMSTERDAM, BA CHOREOGRAPHY
DECEMBER 2025 : CREATION TOGETHER THE WITH 2ND AND 3RD YEAR STUDENTS OF SNDO, AMSTERDAM IN COLLABORATION WITH CHOREOGRAPHER ELISA ZUPPINI