Night Flying Project

How can an image ever be understood if it is what calls us to imagine? 

(George Didi Huberman ‘Confronting images’)


The project is to project.

In a 3D canvas images perform for (not only) a human gaze that imagines itself as an audience. The materiality of these images shapes, looks out, elaborates and confuses itself until something unfolds in front of our all eyes.

 ‘Night Flying Project’ can be understood as a staged research where moving bodies try to understand themselves as images, that are both object and subject of a constant observation. Dealing with the condition of being already discovered, they become never trusting, always desiring, longing bodies, the ones that are producing, waiting, waiting and still producing at the same time, as much as they are already produced under the external gaze. Can these images see beyond what we assume to see in them and can they give us a glimpse of what this might be?

We demand the audience to participate: participatory watching, observing, seeing as an activity, a meeting with an individual but also with a material.

Credits

Choreography: Toni Steffens

Performance:  Ana van Tendeloo, Timon de Ridder, Pilvi Kuronen

Advice: Michele Rizzo, Ivan Mijacevic

Music: New Order, Depeche Mode, Real life, A-ha

Set desing: Toni Steffens

Light advice: Wout Panis, Martin Kiffarnik

Thanks to: Lisa Skwirblies, Bruno Listopad, SNDO3, Haraldur Prastarson, Igor Dobricic

Photo credit: Nellie de Boer

( Pilvi Kuronen, Ana van Tendeloo)

(Timon de Ridder)

( Timon de Ridder,Ana van Tendeloo, Pilvi Kuronen)

Speculative Empathy, SE
Speculative Empathy is a movement within applied, contemporary, continental-inspired  philosophy and performing arts, also, known as post-continental philosophy, that defines itself loosely in its stance of metaphysical empathy against its interpretation of the dominant  forms of “correlationism”.  The term tries to expand notions such as “speculative realism/ materialism” by repositioning the thinking, sensing and experiencing, thus, philosophising human subject with an interest of highlighting its ability to empathise with a thing x and through the strategic embracing of the unescapable condition of anthropomorphism. Rather than operating on planes, which are suggestive of a certain (or not so certain)  “realism”, SE actively makes use of the joint synergy of both speculative and empathic processes in order to generate tools to converse with (non-)human entities in collectively fictionalised meeting planes, in design specific to each encounter of materialities. Making use of the wide emotional spectrum human beings are equipped with, SE re-purposes the unavoidable miscommunications that are at play in the complex and layered encounter of multi-real and Interspecies planes of conversations. Practitioner of SE boldly accuse their environment of being telepathically interlinked with them and that based on this assumption, they share a common field, where they can exchange, support, understand and emotionally stabilise one another. SE practitioners are very open minded towards exploring and performing dynamic, absurd, sensual and unexplainably emotional labor for a various range of materials, things, other human beings and domestic and non-domestic subobjects.

UNder armour

♲ Line,losing line ♲

Weaving Passages for the momentous

An Attendee

Orange Rest/Sacrifice

Spinner

Hope, Test

Metamotion for 270degrees

Night Flying Project

Movement

delineations

Unfamiliarities

PAST-Present-future

JUNE 11-14 : PLANETARY POETICS / SANDBERG GRADUATION SHOW AT FRAMER FRAMED AMSTERDAM, HEART BREAK RADIO, 12TH OF JUNE, 5PM, 13TH OF JUNE 1;30PM, PERFORMANCE UNDER ARMOUR, 13TH OF JUNE 6PM, 14 OF JUNE 4PM
SEPTEMBER 14: In collaboration with TONI BRELL at Kunstfort bij Vijfhuizen, Performance at 4:15pm, Finissage Toen de dieren nog spraken
SEPTEMBER 20: BROKEN HEART DANCES, WORKSHOP DURING RE-NATURE FESTIVAL/ GRIEF SPACES, 2PM, FULL INFO: https://re-nature.org/
September + October 2025 : teaching movement research at the university for applied sciences, Osnabrück, BA theatre pedagogy
NOVEMBER 2025 : TEACHING MOVEMENT RESEARCH AT SNDO AMSTERDAM, BA CHOREOGRAPHY
11 DECEMBER 2025 : D.R.E.D.G.E. - in collaboration with ELISA ZUPPINI, Soraya Lutangu Bonaventure ( Music composition) and 2nd and 3rd year students of SNDO, Jakoozi, Amsterdam
15 DECEMBER 2025 : D.R.E.D.G.E. - in collaboration with ELISA ZUPPINI, Soraya Lutangu Bonaventure ( Music composition) and 2nd and 3rd year students of SNDO, W139, Amsterdam January 2026 : "UNDER ARMOUR", JAKOOZI AMSTERDAM, DATE TBA, LIMITED CAPACITY
06 FEBRUARY 2026 : COLLABORATION WITH TONI BRELL, BORING FESTIVAL, HAARLEM

Orange